RunawayTrain Productions creates 3-D production suite

Due to the increased demand for 3-D content, RunawayTrain Productions in Denver, Colorado has set up a dedicated a 3-D post production environment, enabling real time convergence adjustment with active monitoring.

Fresh off a Regional Emmy Award for Art Direction and a special effects Best of Show in the 48 Hour Film Project, Creative Director Brock Sherman sees 3-D as RunawayTrain’s next big growth area. “We’ve had some early success and it seems to be gaining momentum” says Sherman.

RunawayTrain Productions’ first foray into 3-D post production began by crudely converging stereo video streams using common DVE positioning. Sherman recalls: “We understood the basic techniques needed to create stereomedia but the tools were pretty primitive back then, and a lot of it was trial and error, so honestly, we guessed a lot. The biggest drawback was not being able to see the adjustments in a real time environment.”

After contracting to produce 3-D content for AJA Video Systems and several other clients, RunawayTrain decided a commitment to better hardware and software was necessary. Sherman continues: “Today’s software tools make the process so much more precise and the availability and reduction in price of 3-D monitoring really allows us to fine tune the convergence point for the best effects.”

RunawayTrain purchased Cineform Neo 3D, Dashwood 3d Toolbox, and a Panasonic VIERA® monitor with active glasses allowing the designer, producer, and clients to participate in the process. “We’ve found 3-D is very subjective based on content, proximity to the screen, and individual tolerance, so we see more eyes in the post production process as a good thing”.

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